Why is it in the News?

A team of archaeologists claimed to have discovered a unique Iron Age megalithic site at Ooragutta near Bandala village in SS Tadvai mandal of Mulugu district, Telangana.

Recent Archaeological Discoveries in Telangana:

Ooragutta Iron Age Megalithic Site:

• Situated near Bandala village, SS Tadvai Mandal, Mulugu district, and boasts over 200 megalithic structures dating back to 1,000 BCE.
• Notable for its 'Dolmenoid Cists' featuring cap-stone-shaped side slabs, a rarity in India.
• Resembles European 'Passage Chambers', possibly influencing the design of squarish and rectangular monuments.

Rock Art Sites at Damaratogu:

• Two new sites were discovered in Gundala mandal of Bhadradri Kothagudem district.
• 'Devarlabanda Mula' site contains animal depictions, possibly dating back to the Mesolithic Age (8,000 - 3,000 BCE).
• No weapons or domestic animals are shown, suggesting the paintings may be from a pre-agricultural era.

About the Iron Age:

Timeframe:

• Began between 1200 BCE and 600 BCE, following the Stone Age and Bronze Age.
• Spanned across Africa, Europe, and Asia during prehistoric times in the Old World.

Discovery and Use of Iron:

• Iron replaced bronze as the preferred choice of metal in metalworking.
• First discovered in Turkey before spreading to other European countries.
• Used for making strong tools, enhancing agriculture through the development of the iron plow, and creating powerful weapons for armies.

Technological Advancements:

• Construction of large forts, bridges, and deep mines to extract valuable minerals.
• Improvements in pottery and weaving techniques.

Social and Political Impacts:

• Rulers gained significant power through the use of iron weapons and the ability to conquer other lands.
• The transition from prehistory to history as writing became widespread, marking the end of the Iron Age.
• Iron remains popular for various applications today, such as tools, building materials, and machinery.
• The Iron Age was a transformative period in human history, characterized by the discovery of iron, advancements in technology, and shifts in social and political structures. The use of iron revolutionized agriculture, warfare, and everyday life, leaving a lasting impact on human civilization.

Why is it in the News?

The Forest Department and Sri Lakshmi Narasimha Swamy Devasthanam (SLNSD) at Ahobilam have imposed certain restrictions on visitors arriving at the shrine, which is composed of nine different temples, situated within the Nallamala forest.

About Ahobilam Temple:

• The Ahobilam is a famous temple situated on the Nallamalai ranges in the state of Andhra Pradesh.
• The Nallamalai ranges south of river Krishna, down to Tirupati, and are called `Sesha Parvatha`.
  • Sesha is the name of the king of serpents.
• The hood of the sesha is at Tirupati, the tail is at Srisailam, and the middle is situated at Ahobilam.
  • Nallamalais at the tail are called Sringiri
  • In the middle are called Vedagiri and
  • Garudagiri referred to as the hood
• The shrine of the Ahobilam temple is situated on the top of the first range and is referred to as Upper Ahobilam and down below is called Lower Ahobilam.
• A huge temple surrounded by several buildings can be seen at the Upper Ahobilam.
• The main shrine or the "sacro sanctum" at Upper Ahobilam was carved out of a big egg-like rock with mandapams.
• There is a tank here, which supplies water to the residents of the Upper Ahobliam temple.
• There is a Lower Ahobilam in the below with a big temple and enclosures, It was built according to the South Indian style (Dravidian architecture).

Significance:

• Ahobilam is traditionally regarded as the place where Vishnu in the form of Narasimha killed the Rakshasa Hiranyakashipu to save his devotee Prahlada.
• The legend says that Narasimha emerged from a rock pillar to slay the Rakshasa.
• The moment is represented in several murtis in the various temples.
• Also, Garuda prayed for a vision of Narasimha in the form of Avathara, to fulfill his wish, and settled in nine forms across the hills in Ahobilam.

About Nallamala Forest:

• Nallamala Forest is among South India's largest expanses of untouched woodland, besides the Western Ghats.

Location:

• Situated across five districts in Andhra Pradesh and Telangana, it sprawls across the Nallamala Hills, a segment of the Eastern Ghats, south of the Krishna River.
• Part of the forest falls within the Nagarjunsagar-Srisailam Tiger Reserve, the nation's largest tiger reserve, boasting a significant tiger population.

Climate:

• Experiencing warm to hot conditions year-round, with scorching summers and mostly cool, dry winters.
• The majority of rainfall occurs during the southwest monsoon.

Vegetation:

• Tropical dry deciduous.

Flora:

• Nallamala Forest is rich in endemic species like Andrographis nallamalayana, Eriolaena lushingtonii, Crotalaria madurensis var, Dicliptera beddomei, and premna hamitonii.

Fauna:

• Home to over 700 animal species, including tigers, leopards, black bucks, wild hogs, peacocks, pangolins, Indian Pythons, King Cobras, and numerous rare bird species.

Why is it in the News?

The Archaeological Survey of India (ASI) has decided to delist 18 “centrally protected monuments” because it has assessed that they do not have national importance.

Context:

• ASI has decided to delist 18 protected monuments
• ASI says the monuments have ceased to be of 'national importance'
• The 18 'lost' monuments include eleven in Uttar Pradesh

Significance of Delisting Monuments:

• Several monuments are currently facing the prospect of delisting, including historical landmarks such as a medieval highway milestone in Mujessar village, Barakhamba Cemetery in Delhi, Gunner Burkill’s tomb in Jhansi district, a cemetery at Gaughat in Lucknow, and Telia Nala Buddhist ruins in Varanasi.
• The exact whereabouts or condition of these monuments remain uncertain.

Meaning of Delisting:

• Delisting a monument entails its removal from the roster of protected sites, thereby relinquishing its conservation, protection, and maintenance responsibilities by the Archaeological Survey of India (ASI).
• Under the Ancient Monuments and Archaeological Sites and Remains (AMASR) Act, delisted monuments no longer enjoy protection against construction-related activities in their vicinity, enabling regular urbanization and development activities to proceed uninhibited.

Status of Protected Monuments:

• The inventory of protected monuments is subject to change through additions and removals. Presently, the ASI oversees 3,693 monuments, a number set to decrease to 3,675 following the ongoing delisting initiative.
  • This marks the first extensive delisting endeavor in several decades.

Procedures for Monument Delisting:

• The regulations governing the List of Protected Monuments are stipulated under the Ancient Monuments and Archaeological Sites and Remains Rules, 1959.
• This legislation safeguards structures and sites aged over a century, encompassing a diverse array of architectural and historical marvels.
• The government possesses the authority to eliminate certain monuments from the protected list via official notification in the Gazette.
• Through such notifications, the government can declare that certain ancient monuments, archaeological sites, or relics no longer hold national significance under the purview of the AMASR Act (Section 35 of the AMASR Act).

Lost Monuments:

• The Ancient Monuments and Archaeological Sites and Remains (AMASR) Act safeguards monuments and sites aged over a century.
• Nevertheless, numerous structures, particularly smaller or lesser-known ones, have gradually disappeared over time due to factors like urbanization, encroachments, dam and reservoir construction, or neglect.
• In some instances, the lack of public memory hampers efforts to locate these monuments.

Extent of Loss:

• According to a submission by the Ministry of Culture to the Parliamentary Standing Committee on Transport, Tourism, and Culture in December 2022, 50 out of India's 3,693 centrally protected monuments were unaccounted for.
• Among these, 14 succumbed to rapid urbanization, 12 were submerged by reservoirs or dams, and the remaining 24 remain untraceable.
• The Committee noted that budget constraints limited the provision of security guards to historical sites, with only 2,578 guards assigned to 248 sites out of the required 7,000.
• Additionally, a 2013 report by the Comptroller and Auditor General (CAG) of India highlighted the disappearance of at least 92 centrally protected monuments nationwide.

About the Archaeological Survey of India (ASI):

• Founded in 1861 by Alexander Cunningham, the Archaeological Survey of India (ASI) was later formalized as a statutory body under the Ancient Monuments and Archaeological Sites and Remains Act, 1958 (AMASR Act) following India's independence.
• ASI's primary mandate encompasses archaeological research and the safeguarding, conservation, and preservation of cultural monuments across the nation.
• Its operational scope includes conducting surveys of antiquarian remains, exploring and excavating archaeological sites, and overseeing the conservation and maintenance of protected monuments, among other responsibilities.
• The ASI operates under the purview of the Ministry of Culture.

Why is it in the News?

Characterized by its marble pillars and intricate latticework, Chausath Khamba (64 pillars) stands adjacent to the Nizamuddin dargah, a 14th-century shrine erected in honor of the revered Sufi saint Hazrat Nizamuddin Auliya.

About the Chausath Khamba:

• Chausath Khamba was built in AD 1623 - 24 to serve as a tomb for Mirza Aziz Koka, the foster brother of Mughal Emperor Akbar.
  • It is so called on account of the 64 (chausath) monolithic marble pillars (khamba) and stands close to his father, Atgah Khan’s tomb, at the edge of the Dargah of Hazrat Nizamuddin Auliya.
• The tomb enclosure is entered through a lofty arched gateway and has a large sunken forecourt.
  • The mausoleum is unique on account of it being built entirely of marble, with 25 marble domes supporting the flat roof of the structure.
  • The plan for Chausath Khamba could have been inspired by the wooden garden pavilions from Persia - such as the Chihil Sutun, and in turn, the Chausath Khamba seems to have inspired the architectural design for Emperor Shahjahan’s Diwan-i-Aam, Hall of Audience.
• Each facade of the square structure has five marble arches inset with marble jaallis or lattice screens and a doorway in the central arch providing access to the tomb.
  • The column capitals are intricately carved with simple yet striking pendentives bridging the square floor plan to the circular dome above.
• The structure also finds mention in Sir Gordon Risley Hearn’s book The Seven Cities of Delhi.
• As per author and historian Sam Dalrymple, the edifice embodies the architectural style of Gujarat and Ahmedabad within Delhi, serving as the Urs Mahal for hosting festivities during the commemoration of Nizamuddin's passing.
  • This illustrates the historical dissemination of regional architectural influences across India over centuries.

Why is it in the News?

Adding to their growing national and international recognition, the traditional Majuli masks in Assam were given a Geographical Indication (GI) tag by the Centre recently.

What are Majuli Masks?

• These handmade masks are traditionally used to depict characters in bhaonas, or theatrical performances with devotional messages under the neo-Vaishnavite tradition.
  • Majuli, the largest river island in the world and the seat of Assam’s neo-Vaishnavite tradition, has been home to the art of mask-making since the 16th century.
• It was introduced by the 15th-16th century reformer saint Srimanta Sankardeva.
• The masks can depict gods, goddesses, demons, animals and birds — Ravana, Garuda, Narasimha, Hanuman, Varaha Surpanakha all feature among the masks.
• They can range in size from those covering just the face (mukh mukha), which take around five days to make, to those covering the whole head and body of the performer (cho mukha), which can take up to one-and-a-half months to make.
• According to the application made for the patent, the masks are made of bamboo, clay, dung, cloth, cotton, wood and other materials available in the riverine surroundings of their makers.

Why is This Art Practiced in Monasteries?

• Sattras are monastic institutions established by Srimanta Sankardev and his disciples as centers of religious, social and cultural reform.
• Today, they are also centers of traditional performing arts such as borgeet (songs), sattriya (dance) and bhaona (theater), which are an integral part of the Sankardev tradition.
• Majuli has 22 sattras, and the patent application states that the mask-making tradition is by and large concentrated in four of them:
  • Samaguri Sattra
  • Natun Samaguri Sattra
  • Bihimpur Sattra and
  • Alengi Narasimha Sattra

What is Majuli Manuscript Painting?

• It is a form of painting which also received the GI tag.
• It originated in the 16th century done on sanchi pat, or manuscripts made of the bark of the sanchi or agar tree, using homemade ink.
• The earliest example of an illustrated manuscript is said to be a rendering of the Adya Dasama of the Bhagwat Purana in Assamese by Srimanta Sankardev.
• This art was patronized by the Ahom kings.
• It continues to be practiced in every sattra in Majuli.

Why is it in the News?

The Indira Gandhi National Centre for Arts, an autonomous body under the Union Culture Ministry, proposes to conduct a linguistic survey across the country to create a ‘Language Atlas’ of India.

About the Language Atlas of India:

• The Language Atlas of India traces its roots back to the seminal Linguistic Survey of India (LSI) conducted by Sir George Abraham Grierson, which was first published in 1928.
• Since its inception, the linguistic landscape of India has undergone significant transformations, necessitating a comprehensive reevaluation.
• The proposed linguistic survey aims to capture the myriad languages and dialects prevalent across the country, acknowledging the dynamic nature of linguistic diversity.
• It seeks to document not only the languages and dialects actively spoken but also those that have faced extinction or are teetering on the brink of disappearance.
• Engaging a wide array of stakeholders, including the Ministries of Culture, Education, Tribal Affairs, Home, Social Justice and Empowerment, and Development of the North East Region, the survey endeavours to be inclusive and representative of diverse language communities.
• Phased Approach: The Detailed Project Report (DPR) advocates for a structured approach, commencing with state-wise data collection followed by regional assessments.
  • Furthermore, the proposal advocates for the preservation of linguistic heritage through the digital archiving of audio recordings encompassing the linguistic richness of the nation.
• Significance: Languages serve as conduits of communication and repositories of cultural heritage, encapsulating local wisdom, traditions, narratives, and medicinal knowledge.
  • For instance, many indigenous communities possess indigenous knowledge of medicinal plants and herbs, which are transmitted through generations via their native languages, emphasizing the intrinsic link between language and cultural preservation.

About the Indira Gandhi National Centre for the Arts (IGNCA):

• Established in 1987 as an autonomous institution under the aegis of the Ministry of Culture, the Indira Gandhi National Centre for the Arts (IGNCA) serves as a pivotal hub for research, academic endeavours, and dissemination within the realm of the arts.
• Governance Structure: Operating with a Board of Trustees, the IGNCA convenes regularly to provide overarching guidance and direction for its multifaceted activities.
  • Under the stewardship of a Chairman, the Executive Committee, composed of select Trustees, oversees the operational facets of the centre.
• Integral Role in Project Mausam: Embracing its role as a research unit, the IGNCA actively contributes to Project Mausam, a collaborative initiative spearheaded by the Ministry of Culture in partnership with the Archaeological Survey of India (ASI), New Delhi.
  • Project Mausam endeavours to explore the intricate tapestry of cultural routes and maritime landscapes that historically linked diverse regions along the Indian Ocean littoral, fostering connections between coastal centres and their hinterlands.
• Engagement in the Vedic Heritage Portal: In alignment with its commitment to cultural heritage preservation, the IGNCA embarks on a project dedicated to designing and developing a Vedic Heritage Portal, under the auspices of the Ministry of Culture, Government of India.
  • This portal serves as a digital platform aimed at elucidating the profound messages encapsulated within the Vedas, contributing to the dissemination of ancient wisdom and knowledge.

Why is it in the News?

Prime Minister Narendra Modi recently said that the present government is taking forward the teachings and ideals of Sant Ravidas while following the mantra of ‘Sabka Saath Sabka Vikas, Sabka Vishwas aur Sabka Prayas’.

Who is Guru Ravidas?

• Guru Ravidass (also Ravidas, Rohidas and Ruhidas in eastern India) was a North Indian Guru mystic of the bhakti movement who was active in the 15th century CE.
• Venerated in the region of Uttar Pradesh as well as the Indian state of Maharashtra, his devotional songs and verses made a lasting impact upon the bhakti movement.
• He is often given the honorific Guru.
• He was a socio-religious reformer, a thinker, a theosophist, a humanist, a poet, a traveller, a pacifist and a spiritual figure before whom even head-priests of Benaras lay prostrate to pay homage.
• His birthday comes every year at Puran Mashi in the month of Magh.
• His mother’s name was Mata Kalsi and his father’s name was Baba Santokh Dass.
• Guru Ravidass was born into a humble family which was considered untouchable as per the social order prevailing at that time in Hindu society.
• He spearheaded the fight against man-made discrimination based on caste, colour or creed and preached the lofty ideas of socialism, secularism, equality and fraternity.
• He taught the lessons of universal brotherhood, tolerance, and the message of loving your neighbour, which got more importance in today’s world.
• Guru Ravidass fulfilled Guru Nanak Dev’s request by donating old manuscripts, which contained a collection of Guru Ravidass’s verses and poems.
  • The earliest collection of these poems is available in Sri Guru Granth Sahib.
  • It was compiled by Guru Arjan Dev, the fifth Guru of the Sikhs.
  • There are 41 verses of Guru Ravidass in the Sikh Holy Book, Guru Granth Sahib.
• Meera Bai, a revered figure in Hindu spiritualism, is said to have considered Guru Ravidas as her spiritual Guru.
• It is said that Guru Ravidass disappeared from the world, leaving behind only his footprints.
  • Some believe that Guru Ravidass lived in Banaras during his last days, dying a natural death at the age of 126 years.

Why is it in the News?

INTACH is striving to obtain UNESCO recognition for the yearly 'Paruveta' festival, emphasising its cultural significance.

About the Paruveta Festival:

• Paruveta Festival, also known as the 'mock hunting festival', is a celebrated tradition at the Sri Narasimha Swamy temple in Ahobilam, Andhra Pradesh.
• It stands out as a symbol of communal harmony, where devotees from various religious backgrounds, including Muslims, come together to offer prayers.

Origin and Significance:

• According to folklore, the festival commemorates Lord Vishnu's incarnation as Narasimha, who married Chenchulakshmi, a tribal girl, symbolising unity across different communities.
• The festival's rituals, typically observed during Vijayadashami or Sankranti, extend for a 'mandala' period of forty days in Ahobilam.

Activities and Customs:

• During the festival, the temple deity is carried to the 32 Chenchu tribal villages surrounding Ahobilam for forty days.
• The journey begins with a symbolic act where tribals shoot arrows at the deity's palanquin, signifying protection and reverence.
• Chenchus participated by undertaking 'Narasimha Deeksha', wearing yellow robes and Tulasi Mala, while observing celibacy.
• The temple staff reside in these villages throughout the festival, showcasing the tradition of a casteless society with no traces of untouchability.

Key Points about Chenchu Tribes:

• Geographic Distribution: Chenchu tribes primarily inhabit the hills of southern India, particularly in Andhra Pradesh.
  • Additionally, Chenchu communities can be found in Tamil Nadu, Karnataka, and Orissa.
• Language and Communication: Their native language, known as Chenchu, belongs to the Dravidian language family.
  • While many Chenchu individuals speak Telugu, their traditional language holds cultural significance.
• Livelihood and Occupation: Historically, Chenchu people pursued a nomadic lifestyle, relying on food gathering.
  • However, due to factors such as agricultural expansion, many have transitioned to working as farmers or forest labourers.
• Housing and Settlements: Chenchu dwellings are typically hive-shaped structures constructed from wattle thatch, composed of interwoven poles, twigs, reeds, or branches.
  • These houses reflect their traditional architectural style and are adapted to their environment.
• Social Structure: Chenchu society is organised into clans, which are extended family units, as well as local groups and individual families.
  • They adhere to exogamous marriage practices, prohibiting unions within the same clan.
  • Additionally, Chenchu kinship is patrilineal, tracing descent through male lineage.

Why is it in the News?

Four of the 20 relics of Lord Buddha preserved at the National Museum are being taken to Thailand for a month-long exposition beginning recently, in a rare trip abroad for the delicate antiquities recovered more than a century ago.

About the Relics of Lord Buddha:

• The relics of Lord Buddha and his disciples Arahata Sariputra and Arahata Maudgalayana are known as the ‘Kapilvastu Relics.’
• The relics date back to around the 4th or 5th Century BC.
• They were found in Bihar’s Piprahwa — a site that is believed to be the ancient city of Kapilvastu.
  • Piprahwa today is located in Uttar Pradesh’s Siddharthnagar district.
• The relics were discovered by a team of Archaeological Survey of India (ASI) officials in the 1970s.
  • The ASI conducted excavations at Piprahwa from 1971-77 under the supervision of the archaeology director KM Srivastava.

History:

• Lord Buddha achieved Mahaparinirvana at the age of 80 in Kushinagar.
• The Mallas of Kushinagara cremated his body with ceremonies befitting a ‘Universal King’ (‘cakravartin’).
• His holy relics, from the funeral pyre, were collected, divided and given by Brahmin priest Dhona of Kushinagar to kings and priests.
  • The eight shares were distributed among Ajatashatru of Magadha, the Licchavis of Vaishali, the Sakyas of Kapilavastu, Mallas of Kushinagar, Bullies of Allakappa, the Mallas of Pava, the Koliyas of Ramagrama and a Brahmana of Vethadipa.
  • The sacred relics were commemorated in eight different stupas.
• Two more stupas came into existence, one over the urn in which the relics had been collected and one over the embers.
• Thus, stupas erected over the bodily relics of Buddha (Saririka-stupas) are the earliest surviving Buddhist shrines.
• It is stated that Ashoka (circa 272-232 BC), being an ardent follower of Buddhism, opened up seven of these eight stupas, and collected a major portion of the relics for enshrinement within innumerable stupas built by him to popularise Buddhism and spread dharma.
• In 1898, the discovery of an inscribed casket by William Claxton Peppé, a British colonial engineer and an estate manager at a Buddhist stupa site at Piprahwa, was an epoch-making incident.
  • The inscription on the lid referred to the relics of Buddha and his community.
• The bone relics present in the stone coffer were presented to King Rama V of Thailand.
• The relics were further divided into three shares and gifted to Thailand, Myanmar and Sri Lanka.
  • In Thailand, the holy relic has been enshrined in a chedi on the top of Suwanbanphot, Bangkok.
• Every year, during the Loi Krathong Festival, there is a seven-day and seven-night celebration, which has become a tradition to worship the Buddha’s relics.

Why is it in the News?

The newly discovered Harappan settlement at Lodrani village in the Kutch region of Gujarat has sparked widespread interest in the fascinating remains of this ancient civilisation, making it an important site for archaeological exploration and research.

Features of Harappan site Morodharo:

• Morodharo is a fortified settlement of the Harappan era, with the fortification measuring 102 m to the west and 58 m north to the south.
  • The thickness of the wall is 3.3 m on average.
• Morodhara has a 10x10 m platform on the southwest side and a well on the northeast side.
• Burial cairns have been found at Morodharo.
  • A cairn is an intentionally constructed mound of stones, typically created for marking a location or serving as a burial mound.
• Harappan pottery with perforated jar sherds, reserved slipware and terracotta cakes have also been unearthed.
•  All these items have a striking resemblance to those found in Dholavira.

About Harappan Civilization:

• The Harappan civilization, also known as the Indus Valley civilization was South Asia's first urban civilization, flourishing concurrently with Mesopotamia and Egypt.
• It encompassed the most extensive territory, covering approximately 800,000 square kilometres, compared to its contemporaries.
• Prominent cities during the Harappan period included Harappa and Mohenjo-Daro in present-day Pakistan, along with Dholavira, Lothal, and Surkotada in Gujarat, India, among others.
• Urban planning in Harappan cities followed a meticulous grid layout, with streets intersecting at right angles, dividing the cities into neat rectangular blocks.
• The streets and alleys were deliberately designed for efficient movement, accommodating carts and pedestrians, often featuring covered drains alongside.
• For defence and security, the cities were enclosed by sturdy walls made of mud bricks, shielding against intruders and natural calamities.
• Each city was structured into an elevated citadel and a lower town, with the former housing monumental structures like granaries and administrative buildings.
• Residential areas comprised multi-story brick houses clustered around courtyards, some equipped with private wells and well-ventilated bathrooms.
• A sophisticated drainage system ensured efficient waste disposal, with individual house drains connected to street-level drainage networks.
• Granaries and storage facilities were strategically positioned to manage surplus agricultural yields, reflecting advanced urban planning and resource management.

Why is it in the News?

Recently, distinctive prehistoric rock art depictions were unearthed within the Andriamamelo Cave in western Madagascar.

Key Discoveries:

• Within this cave's truly pictorial art, human-like and animal-like figures depicting scenes from nature have been revealed.
• The remarkable findings unveiled surprising cultural connections, with some scenes directly linking to Egyptian religious motifs from the Ptolemaic period (300-30 BCE).
• Additionally, symbols and inscriptions on the cave walls indicated connections to the Ethiopian and Afro-Arab regions.
• Furthermore, the prevalent symbology and motifs echoed a cave art style from Borneo dating back two millennia.
• Notably, depictions within the cave may include three extinct animals of Madagascar — a giant sloth lemur, an elephant bird, and a giant tortoise.
• The potential connection to Egypt is suggested by eight significant images, including representations of a falcon (Horus), the bird-headed god Thoth, the ostrich goddess Ma`at, and two human-animal figures resembling Anubis, the ancient Egyptian god typically portrayed with a canine head.

About Andriamamelo Cave:

• The Andriamamelo Cave is situated in western Madagascar, nestled within the karstified limestone of the Paysage Harmonieux Protege de Beanka.
• This cave is a component of a vast karst region that encompasses the UNESCO World Heritage site, Parc National de Bemaraha, to the south, and the less-explored Antsingimavo karst area to the north.

Why in the News?

For almost 60 years, the Porgai Artisan Association Society has been producing and distributing embroidered clothing in an effort to raise awareness of the art form and ensure that it is passed down to future generations.

About Tamil Lambadi Embroidery:

• The Lambadi community has a long-standing tradition of practising Lambadi embroidery.
• This craft is used to embellish their clothing and household items and it holds significant cultural and identity value for the Lambadis.
• Traditionally, Lambadi women use colourful cotton threads to create intricate embroidery on cotton and silk fabrics.
• Embroidery Designs: The traditional Lambadi embroidery designs are characterized by geometrical patterns, including squares, rectangles, and circles.
• These designs have also been influenced by elements from the local environment, such as forests, birds, fruits, and flowers.

Facts About the Lambadi Community:

• They are also known as Lambadis or Banjaras.
• Historically they are nomadic tribes, originating from Afghanistan and settling in regions including Rajasthan, Karnataka, Andhra Pradesh, Madhya Pradesh, Gujarat, and Maharashtra.
• They also assisted Mughal Emperor Aurangzeb in transporting goods in the 17th century.
• Speak 'Gor Boli' or 'Lambadi,' which is often written in Devanagari or local languages.
• Many members of the Lambani community are bilingual or multilingual to communicate in the predominant language of their region in India.
• The elderly women within the Lambadi community continue to wear the Petia, a traditional five-piece dress.
• The Petia is made using Mushru silk from Kutch, showcasing the enduring connection to their heritage and craftsmanship.

What is the News ?

Prime Minister presented Meghalaya Shawl and Chhattisgarh Dhokra Art and Telangana Bidri Art vases to Greek President and Prime Minister.

Facts About:

Meghalaya shawls 

Meghalaya shawls were originally woven for  Khasi and Jaintia royalty who considered them a symbol of their power and status. 

Shawls were worn at formal events and festivals, and their intricate designs and vibrant colors reflected the wealth and prestige of the royal family. 

The designs used in Meghalaya shawls were very symbolic. 

• For example, the use of animal motifs such as tigers and elephants was a symbol of strength and power, while the use of floral motifs was a symbol of beauty and grace.  
• The weavers, mostly women, spend hours weaving intricate designs and patterns using traditional weaving techniques. 
• The shawls are made from local wool and natural colors. 
• Shawls are highly valued for their fine workmanship and intricate designs.  

Dhokra Art of Chhattisgarh 

One of the earliest manifestations of this ancient art is the dancing girl object found in the excavations at Mohenjo-Daro and Harappa. 

Traditionally, the Gadwads, Gonds and Dhurwas tribes of Chhattisgarh practice the art of Dhokra using the lost wax technique or hollow casting. 

It is named after the Dhokar Damar, an Indian tribe in the central and eastern part of the country. 

Common themes in Dhokra art revolve around  Hindu gods and goddesses and various animal figures. 

Dhokra Art is a non-ferrous metal casting art that uses wax casting technology. 

This type of metal casting has been used in India for over 4000 years and is still used today. 

There are two main processes involved in lost wax casting: solid casting and hollow casting. 

Bidri Art vases 

It originated from the city of Bidar in Karnataka in the 14th century.

Bidar in Karnataka and Hyderabad in Telangana are the most active centers of the art form. 

Bidri Work handicraft is the art of inlaying metal alloys. 

The soil of Bidar Fort magically gives black color to the base metals and the art form has been given the prestigious GI status. 

Technique: For smelting, a new mold must be made, into which molten metal, an alloy of zinc and copper, is poured. 

• Patterns are drawn on them and carved with a chisel and hammer. 
• The engravings are attached with silver wire. 
• This contrast of shiny silver with black metal is unique in Bidri art.

Source: https://www.timesnownews.com/india/meghalaya-shawl-to-telangana-vase-what-pm-modi-gifted-to-his-greek-counterpart-article-103065689